There were big trees in front of our house, and lots of scrap lumber in the garage. But my dad didn’t want me hammering nails into the living trees.
I think he was also afraid I’d drop stuff on people’s heads when they walked by on the sidewalk underneath. He was probably right. But I was determined to have my treehouse.
I tried propping loose boards in the branches of our tree and disguising them with bunches of leaves. The lack of nails made my tree platforms a bit dangerous.
Once a board fetched loose underfoot and half of my treehouse collapsed and fell fifteen feet down. I almost went down with it.

Even as an adult, I still wanted my ideal treehouse, so I had to build one in Dinotopia. I didn’t stop at just one treehouse. I made a whole town in a forest, with sleeping baskets and suspended bridges between the trees.

What would it feel like to live up there? I visited my friend Henry Wheeler, a Quaker farmer, who let me study the giant oak he had out in his back field. I climbed the tree and sketched the views from the upper branches.

I broke off small branches and and brought them into the studio to use as the basis for a reference maquette. I beefed up the trunk with modeling clay to make it thicker. Now I knew what it felt like to be in every part of Treetown.
I knew what the wind sounded like in the branches, how the whole structure groaned and moved in storms, and what the dry leaves smelled like in the autumn.
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This series of essays is adapted from the illustrated afterword of the new Calla Edition 20th anniversary edition of Dinotopia: A Land Apart from Time Signed copies at this link--There's still time to get them there before Christmas.
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Calla Editions
"Origins of Dinotopia" series on GurneyJourney:
Part 1: Childhood Dreams
Part 2: College Obsessions
Part 3: Lost Empires
Part 4: Dinosaurs
Part 5: Treetown
Part 6: The Illustrated Book
Part 7: Utopias
Part 8: Building a World
Part 9: Words and Pictures
Part 10: Canyon Worlds
Part 11: Putting it Together
Part 12: Book Launch
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