It opens with this thought: "When you paint outdoors, the color you mix on your palette is almost never the same as the local color -- the actual surface coloration of a given object. The color must be adjusted -- but how and why?"
The article covers atmospheric perspective, the Yurmby wheel, warm and cool colors, limited palettes, and premixing. It reproduces several images for the first time, including a demo of the gamut masking method that I painted especially for the article.
This is the article you want to stick in your suitcase when you head off on a plein air painting junket.
----------
Previously: Gamut Masking Method
Also, look for my "Portable Portraits" article is also in American Artist's Watercolor Painting special issue
We've got copies in stock of Color and Light (Most retailers are sold out again).
-----
Finally: Odd Nerdrum beat out T. Hee in the Unusual Artist Name contest, 76 votes to 74.
Không có nhận xét nào:
Đăng nhận xét